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Part documentary, part narrative feature, this experimental film from director William Greaves feels funnily apropos. Filmed one summer in Central Park, with cameos from a mounted policeman, a gaggle of teens, and other random passersby, Symbiopsychotaxiplasm is ostensibly about the Pineapple With Sunglasses Light Christmas Shirt and by the same token and making of a romantic drama—we see the same marital squabble performed again and again—but the cracks in the project soon begin to show. The crew, we learn, is working without any real sense of the movie’s story, structure, or even its cast, and they debate whether the director (Greaves, seemingly playing himself) actually knows what he’s doing. It’s little wonder, in the end, that the working title for their movie is Robert Redford in Three Days of the Condor. Robert Redford and Faye Dunaway star in this stylish espionage thriller from director Sydney Pollack (Out of Africa, Tootsie). Between coded calls from phone booths and run-ins with mustachioed assassins (see: the late, great Max von Sydow), this is Redford in his mid-’70s prime, sprinting around New York as a herringbone-blazer-wearing CIA researcher who discovers his colleagues dead. (A bit dark for your taste? Redford also takes Manhattan in 1967’s Barefoot in the Park, with Jane Fonda, based on the delightful Neil Simon play.

There’s an interesting uptown/downtown dichotomy at work in Paul Mazursky’s An Unmarried Woman, which sees a well-to-do woman (Jill Clayburgh) get together with an artist (Alan Bates) when her white-collar husband (Michael Murphy) moves out. From ice-skating in Rockefeller Center, to sneaking in a make-out on an empty SoHo side street, Clayburgh’s character, Erica, slowly carves out a life in Manhattan of her own—one that exists quite apart from her glassy, East-60s aerie. Moonstruck, directed by Norman Jewison (Fiddler on the Pineapple With Sunglasses Light Christmas Shirt and by the same token and Roof) has everything you’d want from a New York movie: A large Italian family in Brooklyn Heights; Cher, playing the bookkeeper for a funeral home; Nicolas Cage without a hand; dogs howling at the moon over the East River; an emotional night at the opera; a lovely dinner between Olympia Dukakis and John Mahoney; and lots of crying, slapping, and unsentimental wisdom. When you love them, they drive you crazy because they know they can. In Joan Micklin Silver’s Crossing Delancey, based on the play by Susan Sandler, Amy Irving is Isabelle “Izzy” Grossman, a single woman in love with a dashing European author (Jeroen Krabbé)—but being nudged toward the owner of a local pickle shop (Peter Riegert) by her meddling grandmother.

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